Легендата на СДС Константин Мишев излезе с пост в личния си фейсбук профил. Той е свързан с протестите.
Ето какво написа Мишев:
Протестът като изкуство. Зарових се в търсене на произведения на изкуството по тази тема. И попаднах на този плакат.
ТРЯБВА ЛИ ЖЕНИТЕ ДА СА ГОЛИ, ЗА ДА ПОПАДНАТ В МУЗЕЯ МЕТРОПОЛИТЕН?
САМО 5 НА СТО ОТ ПРОИЗВЕДЕНИЯТА В МОДЕРНАТА СЕКЦИЯ НА МУЗЕЯ СА НА ЖЕНИ. НО 85 ОТ ГОЛИТЕ ТЕЛА СА ЖЕНСКИ.
И по нататък си го преведете. Много е находчиво.
Guerrilla Girls (American, established 1985). Do women have to be naked to get into the Met. Museum?, 1989. Lithograph, 11 x 28 in. (27.9 x 71.1 cm). The Metropolitan Museum of Art, New York, Gift of Scott, Lauren and Lily Nussbaum, 2021 (2021.70). © Guerrilla Girls, courtesy guerrillagirls.com
The Guerrilla Girls, a collective of feminist artists who maintain their anonymity by wearing gorilla masks in public, were commissioned by the Public Art Fund in New York to design a billboard in 1989. In response, they visited The Met and found few works by women artists in the modern art galleries but numerous examples of naked female bodies on display. This inequity led them to pose the question at the heart of a now iconic poster, “Do women have to be naked to get into the Met. Museum?” The Public Art Fund ultimately rejected it as a billboard, citing reasons such as lack of clarity, prompting the Guerrilla Girls to instead display their poster in city buses. The poster, which features the female nude in Jean Auguste Dominique Ingres's painting La grande odalisque (1814) donning a gorilla mask, made an impact for its message about the lack of gender diversity at the Museum and the art world at large as well as for its eye-catching design.
